Werk

 

The Mothership, 2004 - ongoing, sculpture, different kinds of notebooks

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DAILY OPERATIONS 1: The 10 PM-pictures, April 2002 - 2003 - 2012, calendar, 42x60cm

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DAILY OPERATIONS 6: Archive, 2010, index cards, 40x50cm

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Mental Map Extra, 2010, picture (Tessa Steinmann) & drawing, A4

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Mental Map XI, 2010, drawing, 23x23cm

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Mental Map XII, 2010, drawing, 23x23cm

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Mental Maps - the movie, 2010, duration: 4'49" (loop), colour
CORPO 6, Berlin (GER)

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Mental Maps, 2010, drawings, 23x23cm

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DAILY OPERATIONS 4: AN ORDINARY LIFE - 1979, 2009, 

mixed media, 40X50cm

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Brussels, 2008, poster, 50x70cm

Berlin, 2008, poster, 50x70cm

Genk II, 2008, poster, 50x70cm

Genk I, 2008, poster, 50x70cm

London, 2008, poster, 50x70cm

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Facades I, 2008, poster, 50x70cm

A serie of pictures of facades in Antwerp, Belgium. 

Here I refer to the city as theatrum mundi, a venue of cultures. 

I look for the relationship between image, architecture, history 

and the experiences of space and time.

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So spill on me your nostalgia I - II, 2008, duration: 30' (loop), colour

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Fade I, 2008, poster, 50x70cm

Fade II, 2008, poster, 50x70cm

Fade I - IV, 2008, poster, 50x70cm ------- The documented life I - III, 2008, showcase in wood,  found footage and archive material, 12x98x320 cm                      ------- What you're about to see is not really a story, its more like a family album,  2003, duration: 30' (loop), colour, no dialogue ------- DAILY OPERATIONS 2: THE WEBLOG, 2003 - 2009,  series of paper editions, 22x30cm ------- DAILY OPERATIONS 3: THE DIARY, 2000 - ..., mixed media, 22x30cm ------- Essential Current Affairs, 2002, in collaboration with Dan Acostioaei,  duration: 3'49" (loop), colour, stereo sound, no dialogues Wearing the ubiquitous black ski mask favored by terrorists of every nationality, a man and a woman attempt a lover's embrace. This striking gesture at once recalls Magritte's painting The lovers (1928) in which a couple passionately kisses despite their heads being completely covered in cloth. Essential Current Affairs is a depiction of mutual alienation in times that could likewise be characterized as surreal. Their increasing abandon is in response to a mood made steadily more anxious by the brooding melody of a string quartet. Yet they will not remove their masks. If love can not conquer all, is it love?